Tag Archives: Seoul Artist

Happy Chuseok!

Today is Chuseok, or Korean Thanksgiving, one of the most important holidays in Korea when people travel across the country to their hometowns (or to the place where the eldest family member lives) and get together to share food, spend quality time with each other, and offer thanks to their ancestors.

Ever since we started living in Seoul, this time of the year has meant two things for us – one, a short getaway to a nearby destination, and two, the arrival of a fancy gift pack at our doorstep from my husband’s workplace containing mega-sized, perfectly shaped apples and pears! In Korea, if you’re visiting family during this season, showing up at a relative’s place with a gift appreciating your host’s hospitality is considered good manners. For Korean companies, offering gifts to their employees during Chuseok is a way of recognizing their hard work and also to boost morale.

But why fruits? I remember being very curious about the significance of a fruit gift set when we received our first one and found out that it reflects the traditional meaning of Chuseok, which is to celebrate the harvest season. As the holiday falls in autumn, newly harvested apples and pears serve as popular presents. Also, both these fruits (along with several other items like persimmons, chestnuts, jujube, meat, steamed rice, soup, dried fish etc) are placed on the memorial service table that is set in order to honour the ancestors in a ceremony called ‘Charye‘. 

The above sketch is of my husband carefully unwrapping his Chuseok gift from work few days back. It came in a very secure package marked ‘fragile’ all over it. Inside was a bottle of Sauvignion blanc and a bottle of Chardonnay, well, big morale boosters considering how this year has been faring! The fruit basket arrived a few days later.

With no where to travel to, I can’t think of a better way of spending our five-days holiday during a raging pandemic, than being at home and clinking our glasses to making it thus far. 

 

 

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The Elevator story

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A few months back the most adorable incident happened in the elevator of our apartment building. It was Children’s day in Korea, a public holiday, so a lot of kids were out enjoying the day. We saw a few at the bus stop licking ice creams. Some were walking into restaurants with their parents. Parks were teeming with toddlers chasing each another as their slightly older siblings threw frisbees and rode bicycles and scooters. Evening saw these frisky moppets return home in their mom’s arms or on their dad’s shoulders, happy but tired faced, tightly hugging giant soft toys and balloons.

It was nice seeing the neighbourhood peppered with little humans in place of adults in suits and ties marching in and out of offices.

We spent the day outside too on a long walk by a lake. Later, we got some food packed for dinner and headed home. As we were going up to our apartment, we saw this boy, about 4 or 5 years old enter the elevator with his family.

He may not have seen many foreigners in his life, because as soon as he laid eyes on us, he was transfixed. There was no stealing furtive glances out of the corner of the eye for this little guy; he caught us in the most innocent, full-on face to face, mouth agape, utterly bewitched kind of stare! The look of wonderment lasted from level 1 until level 12 which made his mom very uncomfortable. Just before leaving, she bent down and asked him to say hello to us. Once out of his trance our starer became very shy. He did wish us eventually, spurred on by his dad, mom and sister who chimed in with a nice long – Annyeonghaseyo.

I sketched the scene as soon as I got home.

The Arrival of Melons

There are two fruits that announce the arrival of summer in Korea – Watermelons and Korean melons.

Now, watermelons I am familiar with. Back in India, in the little industrial town I grew up in, summers were terribly hot and dry. After we came back from school looking like two boiled lobsters our mom put out chilled watermelon slices before me and my sister to eat and cool down with. We’d put our feet up on the couch and gorge on fresh, crunchy slices until streams of pink juices ran across our hands and dripped from the elbow into our bowls.

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On a recent trip to E-mart I was greeted by these melon cousins piled up next to the entrance

While plump ripe watermelons harken back to fond childhood memories, I am yet to make an acquaintance of the bright yellow, slightly oblong Chamoe, also known as Korean Melon. It is eaten fresh and I am told that it tastes like a less sweet cantaloupe with a sight cucumber flavour. When pickled it can be enjoyed as a savoury side dish which I would love to try as well!

 

 

 

 

Polka-dotted brolly and a wiseass tote bag

I am forever in awe of the things I see when I am out sketching.

They are not momentous, life altering events or rare, one of a kind objects. In fact, they couldn’t be more humdrum and yet I am hooked in the deepest and most profound way. Every minute spent observing life and documenting it in my sketchbook feels more honest, real, fulfilling and joyful than any other job I have held and drawn paycheques from. And I often ask myself why that is?

And each time I find myself thumbing through my drawings in search for answers.

These sketches are from my latest sketchbook. All 24 pages filled with drawings of people in different cafes and eateries in Seoul. The sketchbook starts roughly at the time when the city was emerging from the throes of winter. The sun felt warm on our faces, the breeze wasn’t bone chilling and there were leaves on brown spindly branches. We were reaching for lighter coats and winter boots were being stowed away.

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When I saw this girl in my first drawing, wearing a baby pink flowy shirt with her sweater casually thrown over her shoulders, drinking a matching pink drink I felt spring tiptoeing into our lives. And it was. The next couple of weeks were spent hiking, reading books in al fresco cafes and chasing cherry blossoms around Seoul.

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Fresh, new, colourful could describe everything – the weather, our clothes, food (strawberries were in) as well as our soaring moods! The two women in the drawing above wearing whacky, bright coloured jackets epitomized the ‘if you’ve got it, flaunt it’ nature of the season.

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See the guy in the red glasses enjoying his meal in the drawing below? I noticed him from the end of the room and eventually drew him because in a world of distractions, it was interesting to see someone so deeply engaged in just the one thing. He used his hands to pick up the food, admired it and then put it in his mouth very gently. With eyes closed he relished each bite as if to taste the ingredients and appreciate the workings of the recipe. To me, it looked like the food was nourishing his soul as much as his body.

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After the hubbub of Spring, it rained incessantly for days. The skies were grey and everything felt wet, cold and damp. I went out for a cup of hot tea to shake off the gloom and what do I find in the cafe? The brightest polka dotted umbrella resting against a chair occupied by a guy wearing a cap so red that it could stop the traffic. He had ripped jeans on and a t-shirt with a plunging neckline that revealed a tattoo very similar to a paramecium I had once drawn in my Biology notebook.

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This drawing above is also my favourite in this series because here I was looking sloppy, moping around because the sun wasn’t out and my laundry wouldn’t dry whereas this guy was dressed fashionably enough to walk the ramp, rains be damned. And in veritable defiance he was carrying the most happy looking umbrella that screamed ‘in your face, crappy weather’ in bold letters. If something is unacceptable, there can be really creative ways to push back! That evening not only did I feel avenged, I returned home with a better attitude.

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The next drawing is of a bunch of elderlies licking on pink ice-creams. What you don’t see in the picture is how excited they were to see each other when they met at the cafe and how impatient they were for their treats to arrive after placing the order! I drew their droopy posture and wrinkled faces, but what I couldn’t capture and only witnessed was their child-like abandon at rejoicing something so basic and timeless – friendship and $1 ice-creams on sticks.

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My neighbourhood in Gangnam is a shopping mecca, the reason why cafes in this locality receive a lot of customers with shopping bags in tow. Sometimes to entertain myself when I’m drawing them I try to guess the contents of the shopping bags based on the label. It’s a fun game!

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And occasionally educational because that’s how I came to know about ‘8 Seconds’ (see the drawing above) which is Samsung’s high street brand. Did you know Samsung, the South Korean multinational conglomerate that most of us associate with phones and electronics has an established presence in the fashion industry? In fact Samsung launched ‘8 Seconds’ to compete with the growing local presence of global fast fashion retailers like Zara, H&M and Uniqlo.

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On one such day while playing the scintillating game of ‘guess what’s in the bag’ as if to challenge my speculative prowess walked in a girl with a canary yellow tote bag that said, “How to be Popular”. See the drawing above.  After finishing her food and drink I watched her walk out of the cafe with the bag held tightly under her arm.

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She didn’t leave a clue about the bag’s contents. But she left me the story – of a wise-ass tote bag sighting in Gangnam! And that I realized is what keeps me hooked and makes me come back for more. The story if you pare it down is an interesting visual which I capture in a sketch and my response to that visual stimulation which I narrate to you in words. And it’s addictive because collecting stories like these on a daily basis makes me feel like I am participating in my own life.

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Like I’m in the field, playing the game and not cheering from the sidelines. Like every day could have something to wonder about.

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Isn’t that something? This sketch above on the last page of this sketchbook is of a woman I saw the other day, probably a teacher marking an answer sheet while talking on the phone. Judging from the red marks it didn’t look good for the student.

 

 

 

 

 

Furrowed eyebrows vs Fall colours

I saw this guy at a cafe yesterday in the CBD. Dark coloured tailored suit, slicked back hair, serious looking glasses and still like a statue with his nose buried in a book on finance and investing. And just outside the cafe separated by glass windows were trees in the deepest shade of red and in the brightest shade of yellow, branches swinging in the breeze and leaves flying around like confetti.
It was such an interesting contrast and I was glad I had my sketchbook to document that moment!

Tera Rosa sketch

Gwangjang Market

is worth a visit not just for the finger-licking good street food as all guidebooks promise but also for the experience of buying that street food and eating it in a traditional market. Not that I needed any convincing. I love visiting traditional markets. I have loved visiting traditional markets before they were ‘traditional’.

In the little town I grew up in Eastern India, my parents used to take me to the local bazaar every week. Too little to help in any other way my job was to hold the cotton tote bags tightly to my chest until the vegetable seller finished weighing baskets of potatoes, onions, carrots, brinjals, green beans my parents had picked out and nodded in my direction.

I would keep my eyes peeled for that signal and would immediately stand on my toes and hand the ‘vegetable bag’ to him or her. Then we would go to the fish section and the poultry section and I’d hand the ‘fish bag’ and the ‘poultry bag’.

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Sketch of a Mung Bean Pancake stall in Gwangjang Market using dip pen and ink

More than the vegetable peels, fish scales, feathers and blood strewn alleys, more than the glinting knives and weighing scales, more than the stench of open drains and smell of sweat, more than the feel of weathered notes and wet coins exchanging hands, more than the loud street cries of merchants and haggling by their customers and the screeching of chickens about to be slaughtered, more than buzzing flies and limping dogs, more than the rough leathery hands of shop owners, more than the waves of people we pushed through and more than the glow of bulbs and hurricane lamps that painted everything a lurid yellow, more than anything at all, I remember how important I felt to be entrusted with this responsibility.

For my parents it probably was just a way to keep their child engaged but for me it was a big step up. Like all my friends I was in such a hurry to grow up.

A great deal of growing up has happened since.

These days if I were to make spaghetti meatballs, I’d get a cleanly wrapped portion of minced meat off a shelf inside a clean air-conditioned space. I buy lemons that come in protective casings such that I can’t touch or smell them.

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Jeon Alley, Gwangjang Market

Only when the fish monger showed my mother how deep red the gills of hilsa were and how firm its body was and how clear its eyes were would she pay him, but not without examining a few other pieces and definitely not without the friendly haggling.

And now if I need a bed sheet, I lift a finger and order it online.

Progress is essential and elemental, I know. Progress is important. Progress is also placing experiences similar to the ones I had as a child inside invisible glass cases and labelling them ‘traditional’ as though they are rare exhibits.

Progress is sending what once was commonplace on the road towards extinction and that maybe inevitable but it is disconcerting none the less.

So when I can read about Gwangjang market, built in 1905 and called Seoul’s oldest ‘traditional’ market and one of its largest, I knew I had to go, not just to sketch but to get a feel of the familiar while I still could, albeit in a foreign country.

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Gwangjang Market

Narrow lanes lined on either side with shops cheek by jowl selling  pajeon, gimbap, sundaeguk, bibimbap and tteokbokki ran into one another like a maze. Massive waves of people from students, office workers, tourists to the elderly hikers you see a lot of in Korea rolled up from all directions to eat at those shops manned by hardworking ajummas in short perms and red lipstick. Sound of chatter and cacophony melded into the smell of hot oil and the lurid colour of shop signages. The glow of bulbs hanging low over trays of food added to the visual drama and lent the space a honky-tonk aura.

As opposed to the clinical white spaces we are used to shopping in with clearly marked aisles and properly arranged shelves, a traditional market is a place where the first order of business is to lose your bearings and be overwhelmed by what you see, hear and smell.

Check and check.

I had a vague idea of where I was.

Perhaps, the Jeon Alley.

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Jeon Alley in Gwangjang Market

Some dishes are so popular in Gwangjang Market that they have entire alleys dedicated to them! In Korean cuisine, Jeon is referred to pancake-like dishes made by pan frying a mixture of rice or flour batter with vegetables, meat, seafood and poultry in it.

I couldn’t have been in the Yukhoe (steak tartar) Alley or the Gimbap (similar to sushi) Alley considering all the fervid grinding of mung beans that was happening around me. The jerry-built enterprise right before me had 5 ajummas working together like a well-oiled machine. Two in yellow tops were stationed at the ‘kitchen’ frying Bindaetteoks (mung bean pancakes) and piling the golden discs one above the other on the counter; one was serving the pancakes to customers gathering on the long wooden table while two more were luring people in to the shop.

And in all this madness if any of them managed to catch a breath, they’d leave their stations and come over to check my progress. I was sitting on the ground wedged between two other Bindaetteok stalls. But I was sketching them.

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Sketch of Gwangjang Market with the drinks that a kind elderly couple bought me

In return the band of ajummas kept an eye on me, nothing more than a glance in my direction from time to time and once shooing a drunk guy away when he tried to get too friendly with me. I got sober visitors too. A tour guide stopped by, a magazine editor gave me her business card and an elderly couple bought me some cooling drinks (see above).

On my way out I got the ajummas to fix me a piping hot plate of mung bean pancake. And while I savoured the crispy goodness in my mouth, I saw three young backpackers doing the same and talking about how good it tasted and how cheap the food was (4000 won for two big pieces) and how glad they were to have visited. They couldn’t wait to tell their ‘mates’ all about it.

I hope they do, ad nauseam.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Insadong’s charm

lies in its alleys as I found out on one of my sketching trips.

I had been waiting to go out sketching for a while but I’m slowly realizing in my first year in Seoul that to wait for the perfect day in the months of July and August is to wait forever. After two weeks of oppressive heat it has been raining incessantly.

Needless to say that I arrived at Insadong on a rainy afternoon and after securing a map with tons of information about the area from the tourist office (out of exit 6 of Anguk Station), I decided to do away with it. The rain was turning it into pulp.

Lying straight ahead was the 700 meters long and 12 meters wide pedestrian (on weekends) street called Insadong Gil, stretching from Anguk-dong to Jogno 2-ga. It has a 7 meters tall Korean calligraphy brush sculpture at the beginning which I had already seen on my earlier visit.

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Ajumma standing in front of her hanok and the neighbourhood delivery guy passing by

I was also done browsing through the street’s innumerable souvenir shops, folk handicraft stores, art galleries, Korean paper shops, had tipped my hat to world’s only Starbucks with its signage written in local language, visited a traditional tea house and checked out the quirky Ssamziegil mall.

As per the guidebooks I could have checked Insadong off my list of places to see. What more was there?

A curiosity laden turn away from the main commercial street into the atmospheric side alleys revealed the answer.

What I saw and then sketched seemed like an alternate Insadong, one I didn’t know existed – a watered-down version of the deeply cultural neighbourhood of 1930s selling antiques, books and art, way before its colonisation by coffee chains and cosmetic shops, before Korean war even.

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Insadong 16-gil

First thing that hits you when you make this unplanned diversion is how quiet and empty the alleys are, a welcome respite from the neurotic busyness of the main strip. Barring a monk, a school girl and a delivery guy I hardly saw anyone. And then in the course of exploring this labyrinth of narrow arteries, one leading to another and sometimes ending abruptly in a cul de sac, you get a whiff of old Seoul that maybe gritty and rough around the edges but is authentic to the core.

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One of Insadong’s many narrow alleys

With Insadong’s popularity with tourists in the recent years, rents on the main street have soared such that it can only be afforded by big commercial establishments, thereby pushing older, smaller businesses and artists to the winding back alleys laid out 500-600 years ago (dating back to the Joseon dynasty), where life is still quaint, unhurried and very ordinary.

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Another beautiful alley in Insadong

I saw laundry drying on wires, potted plants outside wooden doors, beer bottles stacked in crates, cracked egg shells lying near a trash can filled to the brim, a plastic broom, a wind chime, music wafting out from open windows, someone napping on a red chair by the kitchen and pigeons hopping around, drinking rain water collected in little potholes where the road had caved in. An ajumma (as middle-aged Korean ladies are respectfully called) was standing in front of her hanok (old Korean cottages) turned restaurant, caressing a snarly lap dog and staring at me with utter intrigue.

I was sitting on the steps of a closed bar in an alley I had just wandered in, and had started drawing.  For the longest time ajumma maintained a distance from me, trying to understand what I was doing while pacing outside an imaginary fence that seemed to be between us.

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I got to work, started tracing lines with my eyes and then put ink on paper.

Slowly but surely. A bunch of Absolut Vodka bottles, window slats and a door emerged.

I am always amazed how drawing makes you lose all sense of time. You surrender to this repetitive cycle of seeing, comprehending and mark making. Everything else becomes invisible. I find this heightened sense of focus the only way to connect with my new environment. You get to immerse yourself so deeply and wholly in the process that when you emerge, you feel a kinship with the place you were drawing. It doesn’t look as foreign as it did when you started out.

I like to believe that by connecting with my environment in such a way I blend in and don’t look as foreign to it too and become an ordinary person sitting in the corner doing something innocuous. That’s when imaginary fences vanish. Ajumma comes over. The dog too. They are thrilled I drew their house. The dog shows its appreciation by not snarling at me anymore and Ajumma by bringing me a steaming cup of coffee in a paper cup.

Insadong linework

A sketch and two steaming cups of coffee. I added the delivery guy later.

I must accept it, she insists. Then she takes my sketchbook and shows my sketch to her neighbours. They come closer to meet me. We huddle on the stairs, touch shoulders and giggle at our communicational ineptitude. Another cup of coffee is placed before me. When the neighbourhood delivery guy passes by, everybody raises their hands to wave at him.

I raise my hand to wave at him too, on impulse and realize that it doesn’t look out of place.