Tag Archives: watercolours

Sunday Afternoon

 

subs napping

Siesta in progress in the living room of our Seoul apartment. 

is the awkward empty space on our weekend calendar that we never know how to fill.

In between active mornings spent outdoors, long leisurely lunches and evenings spent mourning the end of the weekend comforted by Netflix and a bowl of salted popcorn, lies the vacant, vanilla afternoons.

Never earmarked for anything specific, this orphaned chunk of time gets adopted differently each week. On some occasions we cozy up to our Kindles and catch up on reading. On others we play scrabble. Or video chat with our parents. Or dive into the bottomless pit of social media.

But on some afternoons when the low-hung sky darkens with ominous clouds, the lulling breeze blowing in from the windows soothes our skin and the smell of wet earth fills the rooms, on those afternoons with the pitter patter sound of the first raindrops our eyelids become heavy. And even though we squint and blink trying to stay awake, la siesta takes over.

One of us sinks into the sofa, rests his head against the cushions and puts his feet up on the table. The other drops everything, picks up a sketchbook and draws the scene!

 

 

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Flash Card Illustrations: How I did it and what I learnt

I rarely talk about the process behind a finished illustration but this particular project I recently worked on also turned out to be one of the most interesting ones! And besides the fun element, a given on a job like this, I learnt some valuable lessons along the way which in the hope that they prove helpful to someone, I am eager to share.

The project was called EREY, an up and coming language learning platform for English speakers who wish to learn ‘Somali’, the language of Somalia, an East African nation located in the Horn of Africa. To make learning fun and interactive, Erey makes use of flashcards, each having a Somali word, a pictorial representation of that word and its English translation printed on it.

My task was to create illustrations for five ‘Somali’ words and

the challenge was to create images that would best represent the country and its local flavours and embrace the client’s vision at the same time.

Here’s how I went about it.

Illustration for Bakhaarka (the store)Bakhaarka final copy

From my research I figured that stores in Somalia are essentially these one storey brick buildings with strikingly bright coloured facades that sometimes have hand painted images of the items sold in the store.

Forever the food lover I settled for a tan coloured fast food store for my illustration. The picture of a camel on the facade indicates availability of roasted camel meat in the store. The shop signage ‘Moos iyo Baasto’ translates as ‘Spaghetti and Banana’ which is also Somali comfort food.

What I learnt while working on this was how attention to details gives your work that extra edge. By studying tons of local Somali stores on the Internet, I was able to incorporate relevant architectural elements to my store illustration such as the wooden door, metal shade roof, the decorative air vents and the steps leading to the store with the ‘welcome’ sign, all of which increased the credibility of the final image.

Illustration for Dugsi (the school)Dugsi final copy

For Dugsi I wanted to show the interior of a classroom. Acting on one of the client briefs I drew some of the female pupils with head scarves and some without (reminiscent of the pre civil war and less conservative days). The co-ordinates on the black board are of Somalia itself and the motivational quote at the back of the classroom ‘Qoriga Dhig, Qalinka Qaad‘ translates as ‘Drop the gun, pick up the pen’.

What I learnt here was to make an effort in understanding the client’s vision for the illustration, which in this case was a stronger representation of women.

I wove that thought into my illustration by drawing a female teacher at the blackboard, taking the lead in teaching the class. I drew her in the foreground to draw focus and in a slightly larger size compared to the male teacher, who is seen helping a student in the background.

Illustration for Caanaha (the milk)Milk final copy

By illustrating Canaaha as such, I wanted to draw attention to Camel milk, a staple food of Somali pastoral communities and also to the traditional hand woven vessels they use to carry and store that milk.

I drew a traditional Somali rug underneath to bring the image together and add some colour.

The challenge while making this illustration was providing suitable context to the image of ‘milk’ which seemed tricky because milk looks exactly the same across the world! I could get my illustration to work by incorporating elements of local culture and lifestyle. Creative prop choices can make your image relevant is what I learnt here.

Illustration for Bilaha Sannadka (months of the year)Bilaha Sannadka copy

I had a few good ideas for this one but was also curious to know what kind of images others had when they heard this phrase. So I asked around.

And concluded that somebody’s mental picture of a personal planner one-upped mine of a date calendar. I provided context by writing the names of the months in Somali and personalised the planner by adding important events like birthdays of Aabe (dad) and Hooyo (mom). It’s interesting how the planner offers a peek into the person’s life and personality! Our planner owner does not want to miss cheering for Somalia at the Bandy World Championship in January and has plans to join a Somali Book Club later in the year.

What I learnt here was sometimes it’s worthwhile to look outside of your head for ideas and inspiration.

Illustration for Buug (book)book final edited

The brief for Buug was to create several shelves of books. I could draw a library or a bookcase but instead chose to illustrate my secret fantasy which as a book lover and passionate reader has always been to spend hours in a Victorian study, curled up in a plush armchair reading in the warm glow of a vintage lamp that overlooks a polished dark wood table and shelves upon shelves of gleaming books.

The table has a half read book by a popular Somali author and a loose sheet containing a list of Somali authors whose books the owner of the study plans to read.

Looking out for fresh ideas is worthwhile but what I learnt here is looking in and tapping into personal interests and passions for ideas is also invaluable.

Here’s how the final product looks with the illustration – Somali_Words_bakhaarka

You can see the rest of the flashcards in this slideshow-

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EREY is active on both Facebook and Instagram if you’d like to give learning Somali a go!

Happy New year (of the dog)

I didn’t really have a reason to draw cute dogs.

But when the Internet has fed you pictures of dog-themed street lightings, of parties, and events, of wine bottles with dogs on their labels and dog shaped ornaments, handbags, and chocolates for over a month all in the spirit of ushering in the Lunar Year of the Dog, you reach a point when there’s nothing much to do except regurgitate all that information.

Only slightly differently in my case and with my own creative spin!

Here’s 6 hand drawn portraits of random dogs, fresh from my sketchbook –

Dog 6

Dog 4

Dog 5

dog 3

dog 2

dog 1

 

 

 

 

 

 

 

 

 

 

 

 

Same same but different

While working on this particular set of drawings sitting at cafes, eateries and subways around Seoul, it dawned on me, especially after having moved countries recently, how different we are as humans irrespective of our similarities and how similar we are irrespective of our differences!

When we first moved to Seoul (and in the subsequent months) I was fascinated by the large groups of elderly people kitted out with serious hiking gear riding the subways on weekends, by the fearless ‘Ajummas‘ (as middle-aged Korean ladies are respectfully called) in identical solid perms, sun-visors and windbreakers, by the mini portable fans everybody carried in their hands all summer and the copious amounts of Bingsu (a lip-smacking Korean dessert) they consumed; or how most women would pull out a mirror from their bags and freshen up their make up every once in a while, by the raging red lipsticks and round framed Harry Potter glasses worn en masse and how clothing and preferences changed with season.

On the other hand these days there’s hardly anything novel about a couple sitting together, in silence, glued to their phones; or someone taking a picture of their food first before starting to eat! Don’t we all have that one friend who can’t stop talking, so much so that we mentally check out after a while, maybe doze off in the chair even? Look out for that person in this collection.

And a lady with a fetish for polka dots.

And two ‘rubik’s cube’ lovers.

People 88

Guy with trekking poles and hiking boots, seen on the subway

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My husband on a late night conference call becomes an easy target.

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Ajumma on the left in sun visors and lurid pink jacket, drinking coffee

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(L) Sketched this lady on a hot summer day. She was wearing white, and carrying a matching white purse (R) Two ladies eating mango Bingsu. This was common sight all summer

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(R)From her polka dotted top, hand fan, umbrella and backpack, it was safe to assume that she really liked ……

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(R) This guy in green GAP t-shirt was a one man show. He seized every conversation and talked so much that one of his mates dozed off!

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people 95

(R) A lot of thought and effort goes into appearance and I see most Seoulites dressed really nicely when out which means I feel underdressed half the time.

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(L) From my table, it looked like a “It’s not you, it’s me” kind of conversation. Don’t miss the bright red lipstick on this woman, rather on every woman in these drawings.

people 97

(R) Mini portable fan= most seen summer accessory in Seoul. (164,000 of these were sold in South Korea this year!)

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(R) Couple that plays rubik’s cube together stays together! These two were relentless in a ‘coffee be damned, let’s solve this thing’ kind of way.

people 99

(L) Make-upping should be a word here.

people 100

I often see business meetings being conducted in cafes. Here’s one in session. Attendees – 3 feisty women and one man who squirmed in his chair every time the discussion heated up.

The two of us

Canada sketchbook 1st page

Yes!

I made this illustration on the first page of my Moleskine Japanese album, a 48 page concertina sketchbook I am taking with me on this trip.

This is just a warm up drawing before the real travel sketching begins which would be quick and messy, sometimes drawn in comfy chairs inside nice cafes with a fascinating scene unfolding outside the window or sitting on hard ground in a really uncomfortable position under the midday sun or in a breeze so strong that you have to use binder clips to secure the pages so they don’t fly away and with people gathered around and watching every stroke you make.

In short my travel sketches are nothing like this illo which I patiently created in the comfort of my studio! But that doesn’t detract from the fact that I love travel sketching.

I love its ‘unfinished’ nature and its immediacy. I love that I am able to pin down a moment, a scene, a season, a dialogue, a trend or say an emotion I witnessed on paper using hasty lines and scribbles.

But what I love most is cracking open my travel journal long after the trip is over.

Sure you remember the rice paper rolls and coffee you had for lunch at Melbourne’s Federation Square three Christmases back because you drew them but the joy of remembering how warm the sun felt on your face is unparalleled and the scores of seagulls hopping around begging for food and that the staff at Starbucks who got your name right the first time. It all comes back!

So here I go again for two weeks touring Vancouver, the Canadian Rockies, Quebec City, Montreal and Toronto and I am planning to sketch as much as I can and when I am back I hope to eventually share the drawings here on the blog.

By the way, you couldn’t tell that we love playing Scrabble, could you?

 

 

Do you sell masala chai?

I have quelled all sorts of curiosities when I am out sketching on location but never have I been asked this question. There’s a first for everything, I guess. Also this is the sort of thing that keeps one from becoming complacent lest you think you’ve heard it all!

So there I was on Norris Road in the Little India district of Singapore, wiping sweat off my brow. I had walked through a warren of roads and back lanes with many alluring sketch worthy subjects – and though my SPF50 sunscreen coated skin felt invincible, it was no fun wandering in the 2’o’ clock sun – looking for a shady spot to sketch them from.

And then right opposite this row of shophouses (see below), I spotted an awning. And under its shade were two rickety chairs made of plastic. Both the chairs and the awning belonged to a Bangladeshi catering restaurant whose cash counter was manned by not one but two burly men who knew not how to smile unless they saw the face of money, perhaps.

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Row of shophouses on Norris Road, Little India

But I was there only for the chairs, rather for the permission to occupy one of those soon-to- be-disposed or already disposed chairs and remain undisturbed for a while. They couldn’t have cared less. So I got to work but not before doing a quick reconnaissance of my location.

Inside the restaurant were lurid posters of hilsa and mutton curry covering parts of the ochre wall that was peeling off in places. The food delivery guys were marching in and out with urgency, suppliers were parking their big vans by the pavement and from what I could see of the kitchen, there were uniformed men wearing white toques barking orders and swinging their arms to the tunes of spices and gravies.

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Norris Road, Little India

The next 20 minutes were uneventful on my chair except for the usual distractions such as tourists stopping by to check what I was up to, kids pointing me out to their parents and random people rushing with a bag of groceries to their car and slowing down just enough to get a peek at my sketchbook and immediately averting their eyes when I looked up.

The incongruity of my situation – a lone person doodling in the middle of the day in the middle of the road while the rest of the world goes about its business – is never lost on me. But what’s changed over the years though is how I’ve managed the unsolicited attention it generates. Instead of exhibiting reticence which was the go to response in my early sketching days I’ve asked myself time and again why everybody from babies in arms to the elderly hobbling along with the aid of walking sticks take an interest in someone making art. What is so special about that?

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Norris Road, Little India

Could it be that our need to create something is primordial? It may not get tended to very often by a lot of people, but it is sitting there in a dormant state inside each of us and gets stimulated every time we’re exposed to the process of creation. I’ve seen my husband – a guy who loves to eat but cannot boil water in the kitchen without help – watch ‘Jamie’s 15 minute meals’ or Gordon Ramsay’s cooking shows with great veneration for hours on end. I don’t expect a three course meal anytime soon but he’s picked up some cool tricks along the way. For all you know, breakfast in bed may not be a distant dream for me, after all.

norris-street-edited

Row of shophouses on Norris Road in Little India, Singapore

In the same vein, I feel that if my art could ignite even a little spark of interest in someone, I wouldn’t mind sitting on a rickety chair so much in the mid afternoon heat in front of a catering restaurant and being asked by a couple of Bangladeshi tourists if ‘we’ sell Masala Chai.

“Well, I don’t know”, I said to them truthfully but they were peeved and left in a hurry probably mourning the death of customer service. Their sour departure was replaced with the most unexpected arrival of one the taciturn cashiers from the restaurant. After a long glance over my shoulders, he wanted to know more about what I was doing. Wait, what? There may have been a smile involved.

 

 

 

 

 

 

Tras Street

 

is where I went last weekend to join the Urban Sketchers gang which meets on the last Saturday every month at a specific location. The reason why many of us look forward to this once a month rendezvous is that not only do we get to draw as a group feeding off each other’s passion and enthusiasm for art, we also meet the wonderful artists whose works we passively admire on social media and get to peek into their sketchbooks, watch them in action, sift through their tools and at times pick their brains and receive invaluable advice and feedback.

tras-street

Shophouses on Tras Street in Tanjong Pagar drawn using dip pen and ink

Having said that, one massive downside to this otherwise uplifting event- affecting only your wallet- is that you are unfailingly smitten with a certain fountain pen, brush, crayon, pigment, sketchbook or camping chair that you find one of these artists using to get those ‘impossibly good results’ in their art, or so you think. The more you watch them using it the more needy you become so much so that you cannot imagine your life without it. You find out where it is retailed and then vamoose!

I had every plan to sketch more on Tras Street, instead I have a new water brush.

 

Playing with food

I love books that influence the state of my mind and the state of my being. When I’m reading such a book, I can slowly feel it pitching a temporary tent inside my brain – stretching the canvas, hammering the stakes with a mallet, inflating the air mattresses, checking the flashlights, lighting the firewood and so on. Together we make happy campers, spiritually and emotionally invested, till the last word on the last page has been consumed, and then we pack up and go our separate ways.

It so happens that I’m ‘camping’ with M.F.K Fisher’s, “The Art of Eating’ these days and quite predictably, all I am mulling over is food and how meditative cooking, feeding and consuming can be, especially if it is one of your favourite pursuits. From the precise moment when the potent stomach growls of your guests give way to their appreciative ‘ahhs’ as your luscious creations land the table to the prolonged hush with shoulders hunched over plates, ending with loud placid sighs, you know everything’s gone right. It is a process that’s unnerving for the cook to watch, yet immensely fulfilling at the same time.

Chicken Tikka

Illustrated Recipe of Chicken Tikka

However, what you always end up with, after such unnerving yet fulfilling sessions, is at least one curious soul enquiring about the recipe, which I have trouble giving out, not because it’s some closely guarded secret handed down through generations (though this sounds much more dramatic) but because I don’t follow recipes to the T. This explains why I am a sloppy baker. Anyway the thing is, when I try something new, I have the taste of that dish registered in my mind and I gear my ingredients towards that taste while cooking. Yes I look at the recipe for structure and method, but I am not a slave to it. I use imagination, I tinker around and make it my own.

When I say this to the recipe-enquirer who was expecting a list of carefully measured cups, teaspoons and tablespoons, I can see disappointment creeping across her face like dark approaching clouds. To avoid reciting an insipid list of measurements and yet pacify my guest by conveying the message in a tangible and useful manner, I tried illustrating one of my favourite Indian recipes – Chicken Tikka. Well, I had fun! Playing with food has its merits. Hope it goes down well with others.