Tag Archives: illustration

Trip to the Antipodes series : New Zealand (part I)

1st January 2015 : Sydney to Christchurch –  As you can see from my sketch I started the year with a tall glass of promising ‘Green and Lean’ juice at Lumiere Cafe on Bourke Street. Five seconds later, a massive portion of Egg Benedict followed. New Year resolutions be damned.

To work that off we voted for a walk from City Hall to Sydney Opera House and see the iconic building one last time. What seemed like a great idea, gradually lost its appeal as the day became hotter. Most shops were closed and there were understandably few people on the streets after last night’s revelries, making our stroll even less fun. The chilled passion fruit smoothie at Starbucks saved me from passing out before the flight.

Sydney to Christchurch / 1st Jan : Highlight of the day was picking up Charlie from the airport.

Sydney to Christchurch / 1st Jan : Picking up Charlie from Christchurch airport was the only highlight of the day.

And then – Kia Ora New Zealand! We picked up Charlie, our rental car from Christchurch airport around midnight. John Steinbeck may have something to do with my naming our red Toyota Corolla. Charlie’s Odometer Reading showed : 43300Km at the time of pick up. I kept a record of the readings on my sketchbook to gauge how much we drove each day.

2nd January 2015 : Hanging out in Christchurch –  The scars of the 2011 earthquake, were prominent on Christchurch. Vast spaces lay bare in between buildings. We walked past piles of rubble, damaged structures, collapsed, stripped to the core with iron rods sticking out of them. It was heartbreaking especially the plight of the 100 plus years old Christchurch Cathedral. Outside these cordoned off areas containing the wreckage, the story was one of resilience and hope.

The Re:start mall seemed such a beacon. Everything from food, carpets, sweaters, shoes, clothes, souvenirs and kiwi knick knacks were sold from inside of colourful shipping containers! We shared a bench with a family from Wellington and sipped lemonade right in front of a bright red metal box that had become the home for Scorpio books.

Christchurch / 2nd Jan : We had dinner at Indian Sumner, an Indian restaurant at Sumner. After surviving on Egg Benedict, Fish and Chips, sandwiches, wraps and burgers for days, a slice of home felt heavenly.

Christchurch / 2nd Jan : We had dinner at Indian Sumner, an Indian restaurant at Sumner. After surviving on Egg Benedict, Fish and Chips, sandwiches, wraps and burgers for days, a slice of home felt heavenly.

If there’s one place I’d like to return to in Christchurch, it would be the Risingholme garden, inside the Botanical garden. The serenity of nature, the meditative silence and the feeling of being minuscule, inconsequential amid the giant oaks, cedars, beeches and Spanish chestnut will remain special. I flitted from one tree to another, hugging, smelling, caressing their massive trunks, finally settling under the shade of Cedrus Atlantica, from where this sketch was done.

In the evening, Charlie drove us to Sumner – a pretty seaside suburb of Christchurch, about 12 km away. We watched a dramatic sunset and walked on the long beach in the golden light, listening to waves violently crash against the jagged rocks. It was cold, so we huddled up close to each other and held hands. For a little while, the poignant reminders of a brutal calamity writ large upon Christchurch was forgotten.

3rd January 2015 : Onwards to Lake Tekapo  – Black Betty, a stone’s throw from Southwark Apartments, was open for business, post new year. We were among the firsts to show up. The gothic accents were interesting but thankfully not overpowering for detractors. The hot chocolate and blueberry muffins lived up to the great reviews.

But we didn’t want to fill up because our next stop was Lyttelton Farmers Market, in the port town of Lyttelton, about 12 Km away. I was so enamoured with Sue’s marinated olives that we spent an inordinate amount of time at her stall. It was very hard to turn away from the rest of her wares – semi-dried tomatoes, dolmades, marinated artichokes, several kinds of dips and hummus – everything fresh, fragrant, glistening and ready to eat! “I used to own a cafe there (apparently the legendary Volcano Cafe)“, she said pointing to her right. Then added “..but after the earthquake destroyed it, I do this.” Sue has developed the volcano brand of delicatessen food that she sells at various farmers markets.  After she helped me pick out 4 different kinds of olives, I sketched her little set up. She graciously signed her name under it, at my request.

Christchurch to Lake Tekapo / 3rd Jan : We were lucky to be able to experience something as local as a farmer's market at Lyttelton. Meeting the people, chatting with them, hearing their stories and, watching them go about their business trumps any tourist attraction. And sketching is the fastest way to make friends!

Christchurch to Lake Tekapo / 3rd Jan : We were lucky to be able to experience something as local as a farmer’s market at Lyttelton. There were times when I wished I was a local just to be a part of their spirited community. Meeting the residents, chatting with them, hearing their stories and, watching them go about their business trumps any commercial tourist attraction. It felt real and authentic. And sketching seemed like a great way to start conversations and make friends out of strangers!

Walking through the market felt like gatecrashing a private party. ‘How’s your mother doing?’, “You looked great in that bikini the other day”, “Were you out of town?”, “Happy New Year!” were some of the snippets of conversation I heard been exchanged between the bread, mince pie, cheese, sausage, herbs, fruit and vegetable stall owners and their customers.

A band played slow music beside a cafe and the harbour across the street looked beautifully blue. Armed with a gigantic ( about 20cm in diameter) Focaccia bread that took us 5 days to finish, 100 gm each of herb and garlic cheese and my treasured olives, we forged ahead towards our destination.

The first sight of Lake Tekapo had us swooning over its terrific blueness. It was bluer than the bluest blue I had seen. Up at St. John’s Observatory, the air was so clean and transparent that the farthest mountains in the backdrop became visible, forming a soft undulating dark green outline in contrast to the stark and edgy blue foreground. For urban dwellers heavy-handed with photoshop and Instagram filters, this sight would be a revelation.

4th January 2015: Mount Cook bound – The owner of Glacier Rock B&B – our fantastic lodging (the view from the patio alone makes it worth the stay) in Lake Tekapo said to us at breakfast, ” I have a feeling that you’ll have a clear view of Mt. Cook today“. Apparently, it isn’t uncommon for the weather to turn without warning and for us that could mean losing our only chance to view the highest peak of New Zealand. Already the radio was abuzz with the news of the three missing mountaineers attempting to scale Mt Cook after the weather deteriorated. I hoped Mrs. MacLaren was right.

Lake Tekapo - Mount Cook - Omarama / 4th Jan : Peak of the day was dipping my feet in glacial water at the end of Hooker Valley Walk. And the bland under seasoned pea soup I had at Shawtys in Twizel has to be the slump of the day. Yes, it was worse than the 120$ speeding ticket.

Lake Tekapo – Mount Cook – Omarama / 4th Jan : Peak of the day was dipping my feet in glacial water at the end of Hooker Valley Walk. And the bland under seasoned pea soup at Shawtys in Twizel has to be the slump of the day. Yes, it was worse than the 120$ speeding ticket.

After a short stopover at Lake Pukaki, the plan was to drive non stop to Hermitage Hotel, take in the famed view of the mountain from there, then start on the 4hours tiring yet spectacular Hookers Valley Walk that ended at the Hooker glacial lake. But the closer we got to the mountain, more compelled were we to make random roadside stops just to adjust our senses to the beauty unfolding. Unsullied nature at such a grand scale was a lot to take in. It was humbling to stand on that listless road snaking feverishly though a sweeping landscape of massive forbidding mountains surrounding us, rising from the ground like mighty waves.

The day ended at Omarama – the starting point of our ‘gold heritage trail’.

5th January 2015 : A long winded route to Dunedin – There is of course a straightforward and quicker route to Dunedin which we did not take. Relaxing is something we forget to do on holidays. Instead we carved out a day long plan to drive through the preserved goldrush towns of Cromwell, Clyde, Alexandra, St. Bathans, Naseby, Ranfurly, Middlemarch and finally to Dunedin, that claim their origins to the discovery of gold in 1861.

Otago's Gold Heritage Trail/ 5th Jan :  I got myself four souvenirs from this trail - a 'Lavender, Lime and Spice' soap bar from Cromwell, a maori dolphin tail locket made out of bone from Clyde, a tacky fridge magnet from Alexandra, a sticker for my diary from St. Bathans. I cannot bring myself to use the soap. For now it perfumes my study table.

Otago’s Gold Heritage Trail/ 5th Jan : I got myself four souvenirs from this trail and none of them was gold. I picked a ‘Lavender, Lime and Spice’ soap bar from Cromwell, a maori dolphin tail locket made out of bone from Clyde, a tacky fridge magnet from Alexandra and a sticker for my diary from St. Bathans. I cannot bring myself to use the soap. For now it perfumes my study table.

The historic precincts in each of these towns being pedestrian, it’s easy to slip back in time just by walking past the retro architecture. Art galleries, restaurants and cafes are housed in some of these establishments. Some act as museums, some sell handcrafted soaps. But together they exude a cute picture postcard beauty and nostalgic charm that made the detour every bit worthwhile.

6th January 2015 : Touring Dunedin – Except Omarama, where our lodging didn’t turn out as expected, I did a pretty good job in finding unique accommodations on this tour, the creme de la creme being Lisburn House in Dunedin – a stunning 19th century Victorian property turned into B&B that will feed your fantasy of living as a member of 19th century English nobility.

I spent a ridiculous amount of time at the Otago Settlers Museum. Not because it was hot outside and I needed the shelter, but because it was of the best curated museums I had visited – one of those educational establishments that believes in telling a compelling story through its exhibits, encouraging its viewers to join the dots instead of spoon feeding them.

Dunedin / 6th Jan: We woke up in a Victorian dream home, toured a chocolate factory and climbed the world's steepest street, all in one day. Pretty productive, I'd say!

Dunedin / 6th Jan: We woke up in a Victorian dream home, toured a chocolate factory and climbed the world’s steepest street, all in one day. Pretty productive, I’d say!

After romping about the city some more, we drove 70 Km to see an unique geological sight that had intrigued us ever since we saw its pictures. Moeraki Boulders seemed like gigantic concrete cannonballs randomly lying on the beach, some in clusters, some solitary. There were deep cracks all over their surface, like some sort of design. Some boulders were intact, whole – people climbed over them and took pictures, while others lay cracked open like an egg shell, with fragments scattered all over the sand.

At sunset, the tip of the boulders became golden tinged. The waves crashed against their smooth bodies, trying to pull them in, but failing and sliding off the sand around them instead. It was hard to make sense of their existence, but that was a good thing because it’s better to be curious than blasè. Isn’t it why we travel?

 

 

 

 

Trip to the Antipodes series : Sydney

30th December 2014 : Melbourne to Sydney –  George’s apartment in Surrey Hills that we found through an intense search on Airbnb, was close to the CBD. Trust me, that is all one needs – an affordable (100 – 150$ over budget is called affordable during this time of the year) place to crash after New Year fireworks. A place that doesn’t wring your pockets dry and is not in the back of beyond taking 5 hours to reach*.

Dumping our luggage in the room, we venture out for sightseeing. Serendipity strikes. Spotting a woman wearing a neon green ‘I’m Free’ lettered T-shirt ( That was Justine, co-founder of I’m free walking tours) circled by about thirty people, right out side QVB, near the talking dog statue, we join her. And what follows is a peek into the city’s history and a walk past Sydney’s major sights described in a fun, extremely informative narrative.

30th December / Sydney: I decided to sketch the opera house today because we didn't know where we would be watching the fireworks from the next day and if I would even get this view or not.

30th December 2014/ Sydney: I decided to sketch the opera house today because we didn’t know where we would be watching the fireworks from the next day and if I would even get this view or not. After the free walking tour of “The Rocks”, we bought a picnic mat and nibbles for the next day and had Fish and Chips dinner on our way back to George’s apartment.

We pass by Martin Place and stop a while to look at the flowers and read the heartwarming messages at the makeshift memorial. The tour ends with a view of the opera house and then the Harbour bridge. Justine dispenses tips on the ‘most ideal free spots to watch the fireworks’ to anyone interested. “Do not go to Circular Quay” she warns. Then adds, ” To find a good spot there, you’ve to reach there at 10 in the morning and wait the entire day in this heat. It’s suicide.”

31st December 2014 : The Big Day – We were at Circular Quay at 10 in the morning. The Sydney New Year Eve official website listed several vantage points for watching the fireworks along with their maximum capacities. This place could hold 26,000 people. Of that, twenty six were already here, lying down on their picnic mats, rubbing sunblock. No alcohol or glass was permitted on the premises. Upon finding a great spot** (after active debating), which meant unobstructed view of the Harbour Bridge and the Opera House, we settled down with our stash of nibbles under the hot sun to spend what was left of that year.

Waiting for midnight

31st December 2014 / Sydney – After a hearty breakfast at Pieno Cafe on Crown Street, we walked to Circular Quay at around 10am to see if there’s empty space. There was. So we parked ourselves here till midnight. This was my view for the entire day.

That’s when we saw our neighbours – Megan from Wales and her Portuguese husband Becas. They were back from New Zealand and ending their 25th anniversary celebratory tour with the Sydney fireworks. “How romantic”, we gushed and got talking. There’s only one way to describe the short haired, chubby cheeked Megan. She’s a veritable force of nature that overpowers anybody in her vicinity with love, vivacity, humour and charm.

This is Megan. Of course, I had to draw her. I also got her to sign my sketch. Notice her surname - 'Jesus'!

31st Dec 2014, Sydney – This is Megan. Of course, I had to draw her. I also got her to sign my sketch. Notice her surname – ‘Jesus’!

She has a big personality and a bigger heart that constantly expanded to accommodate more people. Megan took us under her wings and every other person who came over to sit near or around her – the Iraqi family from New York, the two pimply German guys who sang – ‘Deutschland über alles’ at every cue, the young Brit couple and the 20-something giggly selfie addicted Belgian girls. She would take turns to chat with each of us and every once in a while, call out a name and ask, “Are you okay?”.

This is Circular Quay at about 4pm. People were taking up the spaces in front of us and were ready with their cameras and tripods for an event that was still 8 hours away.

This is Circular Quay at about 4pm. People were pouring in from all directions and taking up any empty space available. All around, you could see bright ‘2015’ hats wiggling on heads, huge cameras and unwieldy tripods on standby for an event that was still 8 hours away.

As Circular Quay started filling in, the member’s of the Megan club, huddled closer to each other, with its hawk eyed matron at the helm, guarding and protecting our space and precious view. No one could sneak in and block it, although many tried. The picnic mat became her ‘home’ and we were its members who were bound by its rules. Like chanting a Welsh rugby cheer every time Megan felt there was a slump in our energy levels. “Group hug, everyone”, she’d shout and make us stand. We’d feel silly but get up like obedient pupils. Thousands of revellers at Circular Quay would witness us huddled in a circle with arms around each other shouting at the top of our voices, following Megan’s lead.

Megan : Oggy Oggy Oggy!

Us: Oi Oi Oi!

Megan : Oggy Oggy Oggy!

Us : Oi Oi Oi!

Megan : Oggy! ; Us : Oi!

Megan : Oggy! ; Us : Oi!

Megan : Oggy Oggy Oggy!

Us :Oi Oi Oi!

31st December / Sydney - This is how Circular Quay looked like at 8:30pm - sea of revellers. It took my husband 45 mins to go through this crowd to the toilet stalls about 500 meters away and come back. The place had reached its maximum capacity i.e 26000 people.

31st December / Sydney – This is how Circular Quay looked like at 8:30pm – sea of revellers from every country imaginable. It took my husband 45 mins to go through this crowd to the toilet stalls about 500 meters away and come back. “This place has reached its maximum capacity” was being continuously announced. 26000 people had gathered here to welcome the new year and I was one of them.

And just like that, it was midnight. We watched the sky light up our faces in a million ways. This event was in our bucket list for years, at the centre of our itinerary, planned months in advance. It delivered what we’d hoped for, probably more and yet looking back it isn’t the spectacular fireworks that I remember from that day. It’s Megan, and her chants and her made up ‘home’ and ‘family’ that lasted for 14 blissful hours under a punishing sun. Such are the perks of travel.

 

*Tips for finding an accommodation during Sydney NY fireworks – Unless you’ve booked your accommodation an year ahead to watch the inimitable Sydney fireworks, choices become very limited towards the end of the year. In such cases, book a budget friendly accommodation as close as you can get from the CBD, that offers free cancellation and check back again for better options say two weeks before the new year – you’ll most likely find a decent place. E.g – We used booking.com to block a cancellable hotel in Chatswood, 15 kms from CBD in October and Airbnb to find our accommodation in Surrey Hills, a 15 mins walk from CBD, in the last week of December.

It is highly preferable that you stay within walking distance from CBD – you’ll thank yourself for this prudence when you look at the sea of revellers standing still outside train stations after the fireworks. Though I didn’t find a free spot, but university stays (http://www.universitystays.com.au/) could be an inexpensive and interesting lodging option in Sydney, specially during this time. Lastly, most places mandate a minimum stay of 3 nights – 30th Dec, to 1st Jan. So for easy availability, plan your stay accordingly.

**Tips on finding a good spot to watch Sydney fireworks – Check the New Year’s Eve official website and scout some of the vantage points in person, a day before. Find a place with a good view of both the Opera House and Harbour Bridge. Bring food, drinks, picnic mat, umbrella, sunscreen and anything that will keep you occupied. There are spots that do not allow alcohol and glass – take note of that when choosing. Come early by 10, latest by afternoon. Take it easy, be prepared to spend the whole day. Lastly find Megan. She will get you through the wait.

 

 

Absconding with a reason!

Hatching the plan

Having tackled the drudgery of life for an entire year (also known as living!) we decided to get our lungs some antipodean air and come back ably renewed and refreshed to pick up the yoke of 2015. By the way, Happy New Year folks!

Seeing it through

That innocent decision birthed in a moment of romantic wanderlust was followed by endless reading, preparing, planning, discussing, arguing, booking, packing and apprehending. The process was tedious and grossly unromantic. But we didn’t give up. Not because the smell of adventure kindled our vigour. The flight tickets were non-refundable.

Front Cover of my trusty Moleskine Japanese Album. I gave it a facelift!

Front cover of my trusty Moleskine Japanese Album. I gave it a facelift!

Making a decision (at least trying to)

When things started falling in place, this is what the itinerary looked like : We’d spend 25th Dec to 31st Dec in Melbourne and Sydney, Australia and from 1st Jan to 10th Jan we will hire a car and drive around scenic routes in the South Island of New Zealand. So naturally, even before deciding what to wear, my one track mind was thinking of ways to capture the experience in pages. It made lofty promises of filling sketchbooks and loose sheets with astounding art and demanded I buy suitable art supplies to be able to achieve that. We debated day and night, weighed pros and cons, charged each other with a salvo of arguments, defended with smart retorts. It wasn’t easy. ( Yes, I have a fertile imagination and a very active inner dialogue). But we came to a decision.

 

Justifying that decision

Backcover of my Japanese Album decorated with stickers I collected from various locations - some bought, some handed for free by museums, souvenir shops, tourist info centres who thought it was 'such a neat idea'!

Back cover of my Japanese Album decorated with stickers I collected from various locations – some bought, some handed for free by museums, souvenir shops, tourist info centres who thought it was ‘such a neat idea’!

It would have to be Moleskine’s Japanese Album with 50 pages, 165gsm.

It ticked almost all the boxes. The idea was to carry something handy that fits in the bag easily, isn’t heavy and definitely not intimidating for my subjects. A smaller page would also mean lesser time investment when filling it. But most of all, I was hunting for something, where I could illustrate the entire trip, the whole 19 days in one continuous sheet of paper, where daily events can merge into one another and the observer can see everything without having to turn the page! Wouldn’t that be fun! As you can see from the picture below, the Japanese Album fits the bill! The only quibble is that the paper isn’t great for watercolours, but accepts light washes. I took that in my stride coz, the aim was not to produce elaborate frame worthy paintings, but to document the journey by illustrating my thoughts, misgivings, explorations, observations.

 

This is how the sketchbook looks when I open it

I unfolded the sketchbook and laid it on the floor of my study.

Going for it

I documented every single day on the trip starting 25th December 2014 and ending on 12th January 2015. It took a bit of getting used to initially both for me and my husband until with a bit of discipline it became second nature. Every single morning I’d sense the potent urge to record my observations for that day and my travel partner would learn to give me time and space, sometimes patiently lingering in the background or finding things to do on his own. In that sense, the 50 pages worth of memories that I hold in my hand is a collaboration.

In the first two pages I drew every single item that went inside my blue Herschel daypack that I carried on the trip, for sketching on the go. It weighed slightly less than 5Kgs, although I learnt to downsize based on what I wanted to carry on a particular day.

This is what I packed in my backpack for sketching on the trip

This is what I packed in my backpack for sketching on the trip

I’ll share the rest of my sketches from the trip on this blog, accompanied by little stories. Should be fun! Regurgitating and reminiscing begins.

 

When you hang out with sketch artists..

a) You always get invited on Sketch dates.

And it’s pure joy. More often than not, the location is exotic and even if it isn’t, you have great company and even if you have great company you aren’t obliged to socialize, make small talk or mingle. Misanthropes fit right in. You get to sit in your own little corner, do your own little thing, talk as much or as little to the next person and it still doesn’t affect your chances of getting invited again.

Shophouses at Emerald Hill

Row of terrace houses at Emerald Hill. Tried sketching in a big format – about 40cm x 20cm

Last week’s location was Emerald Hill, right opposite Orchard Central and undoubtedly one of the most accessible and prettiest places in Singapore with rows of exquisitely conserved pre-war terrace houses turned into business establishments and homes. It is really hard to be not inspired here. Even though our path and enthusiasm was marred with a veritable rainstorm  (for it is the wet season) the show went on as you can see from this fruitful harvest! Each one of us left feeling inspired, contended and with promises of future hangouts.

Another Shophouse at Emerald Hill

A dainty blue shophouse at Emerald Hill. This looks really well as my iPad wallpaper!

b) You order food that would render well in a drawing.

Colours, shapes, sizes take precedence over taste. And most importantly, right after the food arrives at your table and the tantalising smell starts flirting with your senses, you are able to exercise monastic restraint in choosing the fork over the pencil and an inimitable ambition to finish sketching before the food gets cold and/or your dining companion starts fidgeting.

Lunch at Sakae Sushi

Lunch at Sakae Sushi

After my sketcher friend finished placing her order at Sakae Sushi, she turned to me and brightly declared, “The Salmon and Tuna sashimi..aren’t they colourful?…I ordered these, coz they’d look wonderful in our sketchbooks”. I might have teared up a little.

c) You get programmed to see ‘interesting’ things wherever you go, in the most unassuming places and at all possible times and want to document that.

And in doing so, with practice, you become a chronic chronicler with benefits aplenty. When you start documenting something, you are forced to slow down and observe more. You become mindful of every moment. You learn to live in the present. This may seem like bumper sticker wisdom but actually has much longer shelf life and is a widely practiced philosophy even. Peter Matthiessen in his book Snow Leopard, says, ‘..the courage-to-be, right here, right now and nowhere else, is precisely what Zen,..demands : eat when you eat, sleep when you sleep!”

Drinking Honey lemon Juice at Toast Box

Drinking Honey lemon Juice at Toast Box

Only because I was with a sketch artist, did I take away time from my honey lemon juice to join her in drawing this bunch of vintage items exhibited at Toast Box – a ‘reflection of coffee shops in the 60s and 70s’ – as part of their decor. I walked away knowing every item on those two shelves and the ones I liked the most – the palm sized TV and a pair of antique looking (or antique) binoculars. Probably this information won’t serve me a great purpose but when I was there, sketching, I wasn’t thinking of checking my phone, answering emails or figuring what to cook for dinner. I was involved and emotionally invested in what I was doing. It seemed like a therapeutic exercise in mindfulness and left me richer than anyone walking off with just the taste of that overly sweet honey lemon drink.

 

 

 

 

New kid on the block

Shopping, eating, drinking and sometimes gawking at the mind bending architecture of shopping malls is what we relate Orchard Road with in Singapore.

Sitting with a book in a quiet meditative corner isn’t what you particularly come to Orchard for. Well, you can be adamant and try sitting in a cafe perhaps, burying your head in a pile of text, but what you can’t do is obstruct the relentless stream of people gushing in and out through its doors with shopping bags, the drone of their collective orders of latte and green tea jabbing your focus, their hot fervent gossips about the latest bag, gadget or underwear tingling your ears, and their restless animated bodies scuffling to find that elusive ‘perfect’ seat’ making you want to stand up and offer yours.

Library at Orchard Gateway

Library at Orchard Gateway – a section of the wooden theatre-style seating gets sketched here

Well, the good news is, as incongruous as it may sound, Orchard Road – the queen of glitz and glamour, has gained a public library in its armoury. And as soon as we got a whiff of the news, my friends and I rushed to check it out, sketchbooks in tow. Clearly the space wasn’t designed in a hurry – the new kid on the blocks, spanning across two floors, has lot of style and panache! One of the floors have wooden wiggly, wave shaped book racks flanked by a theatre style seating affixed with plug points and lights.

Upstairs has even more interestingly designed seating areas – some with a glimpse of the streetscape, some reminding you of an airport lounge and some cozy and secluded, just the way you want it. Though primarily stocked with design and applied arts books, the fiction and cookbook section is pretty verdant. The book drop off and borrowing points are niftier and there’s a huge section of magazine drawers aligned in straight rows with lush glossy covers staring out at you, giving the impression of a heavily postered wall!

While the Central Library at Bugis, still remains my mecca, this one’s a new favourite. Finally, Orchard Road isn’t all about spending anymore.

 

 

Why I didn’t bake the cake..

Every year, on my husband’s birthday I prepare an elaborate meal that I am really proud of, and a very basic chocolate cake that somehow scrapes by. Now I am not much of a baker and it’s a breeze to order a fancy, much superior cake from the store. But I don’t do the obvious, however tempting that is. There’s an undeniable masochistic pleasure in attempting something I am averse to for someone I care about! Hence the arduous whipping and whirling.

This year however, my conviction was intercepted. Gifts were wrapped, the meal was prepped and planned, the dessert was setting in the refrigerator and I almost had the cake in the bag. That’s when I heard about the monthly urban sketching event occurring at and around one of the grandest buildings of Singapore – Raffles Hotel. Hanging out with fifty art enthusiasts sketching, sharing ideas, getting inspired or solitary whipping and whirling in the kitchen? Filling juicy double spreads in my Moleskine or watching an egg and flour concoction rise? Easy right?

Raffles Hotel

Raffles Hotel sketched from the front

The grandeur of hotel’s colonial architecture matched with the placid greenery of the travellers palms and sweet scented frangipanis, still harks back to the romance of 19th and 20th century travel when writers, historians, explorers and sojourners showed up in their schooners, eager to ‘discover’ the exotic East and booked their stay at this place.

A beautifully curated in-house museum, which unfortunately is closed now, housed vivid memorabilia of the yesteryears – handwritten postcards, luggage labels, old photographs, guidebooks, hotel brochures, advertisements, posters that gave visitors a glimpse into the lives of the boarders who romped around these corridors, waltzed in the ballroom, nursed tall glasses of Singapore Sling in the Long Bar and wrote passionately (Hint: Somerset Maugham) in the tranquility of the outdoor verandas overlooking the Palm Court.

Amid the modern landscape – which has changed heaps since 1887 when Raffles Hotel was established – this little oasis on Beach Road looks like a stubborn time capsule. It is this incongruity that excites me every time I walk into the property past the tall liveried Sikh guards manning it’s doors since the days of yore. Over the years, land reclamation has pushed the waterfront further away and instead of jinrikshaws and hackney carriages, fancy cars are pull up the driveway.

Plonked on a sidewalk, I sketch this scene for over an hour, losing myself in the immense neo-Renaissance architectural details that doesn’t meet the eye when you look at the facade but magically unveil when you try to capture on paper. The Sikh guard came over twice to check my progress.

Seah Street

Seah Street

Seah Street adjoining Raffles hotel is the example of a typical Singaporean street that I love to sketch because of its potent mishmash of extremes. The architecture segues from Straits Baroque to Art Decco, the businesses range from hipster pubs and bistro bars to pedestrian chicken rice stalls, punctuated with old Chinese clan associations and trade centers, all in one row, cheek by jowl, sharing walls, awnings, parking space and history.

The street itself was named after the prominent Seah family. Eu Chin Seah an immigrant from South China was a wealthy merchant ( he made a fortune in gambier and pepper plantations and was called the ‘King of Gambier’) and a leader of the Chinese community in 19th century Singapore. So were his sons Seah Liang Seah and Seah Peck Seah, who also have streets named after them. What’s interesting further is that the three parallel streets in the Bras Basah area : Middle Road, Purvis Street and Seah Street used to be the original settlement site for the Hainanese immigrants (The ‘Singapore Hainan Society’ sign board that’s to the left bottom of my sketch on Seah St hints at this) and were known as Hainan First Street, Hainan Second Street and Hainan Third Street.

Considering that the Hainanese were mainly employed in the service industry (in local hotels, restaurants, bars and bakeries as cooks and domestic servants) it isn’t surprising that the famous ‘Singapore Sling’ birthed at the hands of Ngian Tong Boon, a Hainanese bartender working at Raffles Hotel in 1915. See the blatant red awnings of Sin Swee Kee Chicken Rice stall in my sketch? Well, they house the famous chicken rice, that was first adapted to its current form by Wong Yi Yuan a Hainanese immigrant and later popularised by his apprentice Mok Fu Swee, through these restaurants.

Besides witnessing layers of history, what drives me to capture such streets in my sketchbook is their dynamism, their ever changing, continuously morphing nature. If you’ve lived in Singapore you’d know what’s here on this street today won’t necessarily be there tomorrow. One of the most common sights on the road I believe is the large moving truck! At least, when this scenery changes and it will I’m positive, my Moleskine will bear testimony to a time gone by.

For now, it justifies my skipping an yearly ritual. My husband understands.

 

 

 

 

The Art of Living Alone

My husband’s in India attending a family crisis and I am suddenly, without warning all by myself in our apartment. It may sound ludicrous (to me it did when I hit this realisation) that I may be a loner, but I do not like to be lonely. I may be cooped up in my room but I need to sense the existence of life in my vicinity. The faint sound of TV, the tinkering of glasses coming from the kitchen, a pack of chips popped open, a vile sneeze from an allergic reaction, courtesy the man I live with – well, cumulatively they work in keeping me sane and ticking. The point is I don’t need someone to talk, smile, be nice to me all the time but if they can somehow compile and compress themselves into a continuous background noise, I would get through my day just fine.

Without this background noise – the rustling and ruffling, swaying and swishing- when I am truly hopelessly undeniably alone, I feel awkward. With myself. It is as if the seamless conversation that we have with ourselves in our mind, the one that gives us direction throughout the day – get up, brush your teeth, clean the house, make coffee, hit the shower, exercise, start working, take a break, go for a walk and so on – is replaced with radio silence. And this silence is frazzling.

This guy in a dapper blue suit was playing amazing music at the store. He was so still that I thought he was a mannequin and had to really look hard to find the source of the music.

This guy in a dapper blue suit was playing the saxophone at the store entrance. He was so still that I thought the figure was a mannequin and had to really look hard to find the source of that amazing music.

To restore sanity in such trying times I baby sit myself. The job is difficult and thankless but someone’s gotta do it! It’s more like having to engage a whiny hyperactive toddler for a long period of time and not getting paid for the effort. ‘But if you are a bit patient, tad creative and intermittently forgiving, you may sail through this period of absence of your loved one’ proclaims my inner guru. ‘Ommm’ I say and get cracking.

First up is to keep my task list full. Activities are lined up back to back because no task equals prospective moping. In between there’s allowance for breaks to do what the heart fancies – watch TV, eat ice-cream from the tub, go shopping. When I dragged myself to Raffles City Mall the other day, I found an amazing Jazz musician in a dapper suit parked right outside a lifestyle store, making wonderful music. The blues melted away. I stood there listening as long as he played and sketched along. The colours were added at home much later. The fiery red and the garish yellow chaotically dumped over spindly lines mirrored my mental state. The sublimity of the evening had subsided and the restlessness was coming back. I didn’t like the outcome but it was cathartic so I let it be.

Chicken Noodle soup with  mushrooms at You and Mee

Mee Ayam – Dry Noodle with chicken and mushrooms. This is my favourite at You and Mee and also the cheapest most comforting dish I’ve tasted in Singapore.

Cooking for self is another bugaboo during such times, especially when you’ve been programmed to always consider what the other person likes to eat. So instead of flipping out, I simply eat out. But, I choose carefully. The more inconspicuous (bordering on invisible) I can be at a place, the better it seems. Happy couples, chatting gaily in the glow of candlelight, leisurely pouring wine into each other’s glasses are red flags. So are friends huddled at a table celebrating birthdays in their singsong voices. Lonely office guy with droopy shoulders hunched over his bowl of soup or jaded single mother force feeding her rebellious child, well, they work perfectly as my comrades-in-gastronomy. Two nights ago, I walked into You and Mee – an unpretentious hole in the wall noodle shop in my neighbourhood with bare walls, functional long wooden tables and stools – and had a 5$ dinner with a similar crew of discontents. Felt right at the time.

Peranakan museum , The substation and True Blue restaurant, all on Armenian Street

Peranakan museum , The substation and True Blue restaurant, all on Armenian Street

Five days, ‘x’ hours and ‘x’ minutes have passed since I’ve been on my own ( The ‘x’ represents my disinclination to sound desperate). But things are getting better. I am getting a hang of this. The voice is whimpering its way back. It sent me into the kitchen last night. I whipped up roasted chicken breast and paired it with warm fluffy couscous. It also sent me to a museum yesterday. I spent an entire Sunday afternoon learning about the richness of Peranakan culture and came back with a double spread sketch and a great mood. Maybe tomorrow I’ll go to the library and later eat at a nice chirpy cafe nearby.

Maybe I’m going to be just fine.

 

 

 

Out and about

I am enamoured with Singapore’s shop houses.  It’s official. These picturesque palimpsests of the past have been recorded in my sketchbook so many times that I can draw them to a tee even if someone blindfolded me and trussed me up in a cupboard.

Club Street

The shophouses have remained but clearly the businesses have changed. Sketched at Club Street

To the untrained eye, most shophouses may look alike, but if you’re the curious and observant kind, you’d know that’s hardly the case. Their purpose as residential and commercial establishments may have remained unaltered, but the architecture of these two, sometimes three storied narrow facade terrace houses continuously evolved from the 1840s to 1960s, when they monopolised the cityscape of Singapore.

Pre 20th century shophouses were functional and austere – low two storey buildings with one or two louvered windows with hardly any embellishment on the facade. Chinese-Baroque style from 1900 to 1940s, saw extensive use of decorative mouldings, pilasters, carved wood-work and imported glazed tiles on the facade, representing the fusion of Eastern and Western architectural styles and giving great aesthetic pleasure even today when you look at their refurbished selves. Moving forward, heavily ornamental gave way to simplified and streamlined.

Boat Quay

Such an amazing potpourri of architectural styles seen at Boat Quay

Designers and builders began combining ornately carved transoms and colourful tiles with Art Deco elements such as cross-braced glass window panels and geometric balustrade designs, finally joining the Art Decco bandwagon in 1930s and continuing till the 60s. Stepped pediment with a flag post is a typical giveaway of this stye. Modern shophouses of 1950 – 60s, were plain and unadorned except for a concrete fin air vent perhaps, thus coming full circle in terms of design simplicity.

All this may seem very textual, but what thrills me is to be able to catch these nuances of evolution when I am out and about in the city, running errands, going to the library, working at a cafe or sketching. Especially, sketching. Tracing this potpourri of personal taste, temperament and lifestyle of the residents of yesteryears, sometimes on a single street feels like time travel. Every single time.

 

 

 

 

 

Zufrieden

Row of Shophouses on Lebuh Katz

Impression 1 : Lebuh Katz looked sleepy and quiet even at 9 in the morning. Ocassionally a moped or a trishaw would linger past leaving some trail of life. This row of shophouses seemed like the only ornate fixture in this working class neighbourhood with worn down houses that look utilitarian and lived in. Interesting trivia : As I suspected, the street has a German connection. It was named after the German born Katz brothers who established an import business in George Town in 1864.

When I learnt this word in my German class, I remember being instantly enamoured, repeating it several times in class, on the tram, in shower, enunciating it, rolling it around in my mouth to acquaint myself with its nuances, volleying it with my tongue, exploring its soft corners and rough edges and then carefully putting it back in my vocab chest, like a vintage fountain pen with gold nib and sterling silver filigree overlay, something valuable that you take out only on special occasions.

And when you do, you put on a show. You bask in the smug glory of the wonder ricocheted off others’ faces. Then you put it back in your armour again. Such is the word ‘zufrieden‘, which may mean satisfaction in English, but doesn’t feel or sound as hackneyed.

 

The owner of the shop whose corridor I had blocked came out to survey soon after I had set up. Instead of shooing me away, he moved his bike aside so I could have more elbow room and then he showed me the tap from which I could draw water for painting. A lot gesturing happenned as he didn't speak English and I don't speak Hokkien.

Impression 2 :The owner of the shop whose corridor I had blocked came out to survey soon after I had set up. Instead of shooing me away, he moved his bike aside so I could have more elbow room and then he showed me the tap from which I could draw water for painting. This was accomplished with a lot of gesturing as he didn’t speak English and I don’t speak Hokkien.

 

Row of Shophouses on Jalan Penang

Impression 3 :Row of Shophouses on Lorong Stewart. Everyday after workshop ended at 6, I would rush back on the road to utilize the 1.5 hours of leftover sunlight in sketching whatever caught my eye. This time, I was plonked on the floor of another 5-foot way, lined with several fancy restaurants. People sauntered past me, wearing shiny clothes and expensive perfumes. I remember making the ushers really uncomfortable.

Sometimes a foreign tongue can elevate the meaning of a word you’ve heard all your life and transform its ethos into something grand just because it sounds luxurious in your mouth and tantalizing to your ears and also because you didn’t have enough time and occasion to wear it out. What I mean is, I may use ‘satisfied’ to indicate my experience in using the newly opened restroom at the airport, but use ‘zufrieden‘ while reminiscing about a sketching trip to George Town in Penang, that I returned from. To explain why, I have to reiterate that it was my first overseas trip where sketching was the actor in leading role and travelling was the supporting sidekick, not the other way round, like always. The priorities were flipped and the result was glorious.

This epiphany doesn’t mean travelling takes a backseat. I am the parent that’s trying to advocate equal love for each child.

A Red Trishaw parked on Armenian Street

Impression 4 : When I saw this Red Trishaw parked on Armenian Street, I was compelled to sketch it, simply because of this  composition. I found a shady spot beside an Ice Kachang lady who initially tried to sell me her ware but later took the responsibility of shooing people away from my line of vision, including tourists. Halfway through the sketch, the red trishaw left, only to be replaced by another in few minutes but this was parked the opposite way. In an attempt to get it done, I was trying to laterally invert the vehicle in my mind and then draw it. When the trishaw driver, quietly lunching beside me got a whiff of my frustration, (I may have been muttering to myself), he got up and to my utter disbelief turned the heavy vehicle around just so I could finish my doodle and declined to take tourists for rides till I finished. When I thanked him, he just nodded. And the Ice Kachang lady dragged her son out of the house to show him my sketch. She seemed proud.

This partially dilapidated shophouse caught my eye on Love Lane.

Impression 5 : I was sketching this aged beauty from a ruined torn down shophouse, right opposite when my husband said, there’s nothing indicative of ‘Love’ on Love Lane. Well, 19th century sailers and soldiers who made a beeline for the brothels lined up here would’ve differed. The amorous frolics of yesteryears have been replaced. Love Lane looked quiet, desolate and monochromatic that evening, except for a gaggle of tourists gathering around cafes chit-chatting about guesthouses, wi-fi, backpacking and travel. Perhaps somebody will talk about Love.

Travelling

For me, travelling isn’t just fun, it is also an yearning. The fact that I feel more happy, and alive on the move is established and I don’t second guess it.

What is travel’s worth in one’s life can be gauged from the motivation to travel.  Is it to break away from the mundane seeking ‘change of scenery’, or to relax and recoup before you go back on the hamster wheel, is it to check off places from Lonely Planet’s 1000 places to visit before you die , is it to reclaim your twenties because you’re about to step into your 30s? Or is it that unsettling lifelong ‘need’, not a want but a need, right out of Maslow’s heirarchy, that thrusts you into the unknown from time to time?

 

Dinner at China House

Impression 6: China House, a beautiful shop house turned cafe has tables that are covered in white paper. A small bucket of crayons is set on the table for you to scribble while you wait for your meal. This sketch is colored using the same crayons. For dinner, I had spaghetti with grilled chicken and sadly, it was a let down. The pasta was overcooked and flavours were all over place. The lime soda with mint and mango slices was a disaster – I have never tasted anything so incongruous. But DO NOT leave this place without trying the ginormous slice of out-of-this-world Tiramisu. I have a feeling desserts are their strong suit.

My motivation to travel, my ‘need’ to travel, comes from my insatiable inquisitiveness to see, explore, thus discover and know. I believe, we are all inquisitive, differing in the intensity, perhaps. I mean, don’t we all like to take a peek, a swift glance into other’s living rooms through their open windows at night or others’ plates in a restaurant or try to read the label on a bag hanging from a stranger’s shoulder, try to peel off the discounted price sticker on a garment to reveal the actual price or take a peek at the answers behind the Math book?

The apogee of my German learning classes in Munich, was the day I could understand overheard conversations on the tram. It was as if a stubborn blocked nose had cleared and I could smell the roses again. Untill then it was unfathomable background noise instead of funny jokes, twee endearments, silly fights or crass comments. If you are inquisitive to such a degree, then travelling is one pursuit that requires each of your five senses to be in a constant state of high-alert. You are a walking sponge, absorbing an overwhelming amount of information sent by your five, foot soldiers who are working in a frenzy.

Row of Shophouses on Jalan Penang

Impression 7 : I sketched this row of Shophouses on Jalan Penang – an important thoroughfare during the colonial era –  from the Komtar pedestrian bridge. Shophouses in different stages of restoration like in this sketch is such a common sight in Penang. One crumbling and abandoned shophouse shares a wall with its fully restored neighbour, housing a bustling guesthouse or a cafe or a bistro in full regalia, which in turn shares its wall with another that is being mended and prettied up for better prospects. The famous Teochew Chendol sold at the junction of Keng Kwee Street is only a few minutes away. The Assam Laksa sold there is fresh and flavourful.

Sketching

Now let me add another dimention to this self-absorbing pursuit called travel. Suppose you’ve been quietly nurturing the habit of documenting your life, the sights and sounds around you on a regular basis in a sketchbook and have been taking immense pleasure out of it. Yes, it’s been two years. Darn, you’ve even gotten good at it. It has brought you joy, won you friends across the world and admirers who say how much they love your ‘style’ (to which, you have chuckled more than once muttering smugly and questioning at the same time – “I have a style? I have a style!”).

Shop house on Lebuh MacNair

Impression 8 : Any visitor to Penang will be awed by the potpourri of architectural styles – Early Penang Style (1790s – 1850s), Southern Chinese Eclectic Style(1840s – 1900s), Art Decco style (1920s), Anglo Indian Style (3rd quarter of 19th century) to name a few – representing various periods of the city’s history. It’s like a rainbow cake, each layer unique and different. It’s interesting to view two buildings standing side by side that may have been built in different centuries! I sketched this house on Lebuh MacNair because its architectural style seemed different from the two storied pre world war shop houses peppered across the city. It is probably an Indo-Malay bungalow but I can’t be sure.

You’ve showed your work at exhibitions, and sold. Yes, somebody actually paid money to hang your creation on their living room wall. You’ve counted the money gleefully, but you’ve also felt the pang of loss. It’s complicated.

The Conundrum

Nevertheless the burning question is what do you do with this situation of yours, when you travel? Do you accomodate it because it’s becoming second nature or do you abandon it lest it comes in the way?

Stall on Lebuh Chulia

Impression 9:  In the darkness of the night, this Wan Tan Mee pushcart twinkled like a firefly on Lebuh Chulia. In the pale bulb light I could make out a stooped figure handing out steaming bowls of springy noodles with soft wantans floating in an irriesistible dark sauce. The whole shebang was in the open, with pots and pans, buckets, gas cylinders strewn all around. Business was hot. From the enormous queue snaking around the stall, anybody could gauge its popularity.

Shophouse on Armenian Street

Impression 10 : Shophouses make such great subjects for sketching. Even across similar architectural style, each house seemed unique and full of character. Swatow Lodging house at no. 16, had all its windows closed. The worn out facade had pockmarks of mildew, faded and peeled paint. The ground was covered in weed. A whole lot of trash – dust covered broken and discarded furniture, toys, cardboard boxes was strewn right across its doorstep. But nobody seemed to care. It was even atmospheric, perhaps exhibited as such deliberately to recall vestiges of the past. After all ‘heritage’ is a fast seller among tourists. For a shophouse sketch fanatic, which I am, Armenian Street has plenty to offer. I picked this one to spend my time on because it stood like a little punctuation mark after a long sentence of shophouses.

If you are inquisitive, you probably have been badgered by the ‘let’s see what happens’ shtick. That’s what I caved in to. I carried my sketchbook everywhere I travelled to see how it felt. And surprise surprise! Sketching did come in the way I travelled, the way we – I and my husband were used to traveling all this time. Aching shoulders from lugging around A4 size sketchbooks and watercolours, making more and longer stops at sights than usual, leaving my partner to fend for himself while I doodled, battling the desire to sketch but moving on instead because, well..tick tock..tick tock, fighting the guilt of cutting on the ‘us’ time – looking into each others eyes, holding hands et al and feeding the ‘me’ time was what happened.

Sketching on the grounds of the colonian Eastern and Oriental Hotel

Impression 11 : Spending even one night at the 1885 built colonial style Eastern and Oriental Hotel( called E&O) could be the highlight of Penang trip, especially if you find out that your favourite authors Rudyard Kipling, Somerset Maugham, Herman Hesse were fellow boarders. Every room faces the sea and the black and white floor of the opulent bathrooms will steal your heart. Do request for a heritage tour at the concierge – this will be your chance to view some of the original fixtures and furishings in the Heritage Wing rooms.

The Decision Making

But if something feels remotely right you hang in there, right? You see it through. Let the unsure wobbly wheels roll, in the hope of finding balance.  Truth be told, I haven’t found balance yet, I still falter and fumble trying this third wheel to roll with us in tandem, on our travels, in our lives but guess what, it is getting easier by the day, week, month and year. And what more! I am reaping the benefits. Already.

Cafe 55 housed in a shophouse on Lorong

Impression 12 : While sketching Cafe 55 housed in a shophouse on Lebuh Pantai, we realized how narrow the roads in the historic district of George Town were. Soon we were betting if the next car could turn without grazing the parked car. There were few hits, but mostly misses. Too bad the rickshaws have been replaced.

The Consequence

If you are a mercenary, do not read further. Disenchantment follows. Because the benefits which I am reaping, which many others before me have reaped and those who are yet to follow this path will reap in future is hopelessly Zen. When I am sketching, specially on my travels, I connect with my subject and my environment much more deeply than I would have if I was merely visiting or passing by, because sketching involves intense observation.

Shophouses along Jalang Penang

Impression 13 : If you’re sketching on the road, keep your privacy tucked away in the backpocket because you’ll attract people like flies to a candy. And your work of course is open to unsolicited criticism. On this single occasion of sketching   shophouses along Jalan Penang, I had an Indian migrant worker at my elbow the entire time, three families and a group of girls lingered and quietly took overhead shots. An elderly gentleman stopped by and said, ‘If this was up for judging , I would give you first prize”. I took off my oversized sunglasses and gave him a genuine smile. The smile was wiped off by the Korean tourist who requested for a photo of me with my sketch and kept me hanging while she fixed her lens and cleaned it before the shot.

It invokes mindfulness, devoid of distraction, to such a degree that you participate in the scenery you are capturing on paper. Your fingers trace the eaves of the ancient temple roof, you knock on the louvered windows, ride the creaking bicycle, you flutter the laundry, skip the puddle on the fractured road and is caught up hopelessly in the nasty bunch of gnarly wires crisscrossing the facade of a shophouse. You become the pigeon sitting on the pole.

Eastern and Oriental Hotel

Impression 14 :The Plantation Lounge at E&O has these luxurious chairs that will engulf you when you sit on them. In combination with retro reading lamps, a small library, choice of board games, free flowing coffee and tea, this place is a perfect hideout any time of the day. The constant sound of waves washing up the shore takes the experience up a notch.  If you are staying here, don’t miss the elaborate breakfast options at Sarkies. For the first time in my life, I ditched toast and omelette for lamb curry and coconut rice for breakfast. Try a spoonful of roasted peanuts and fried anchiovies with it.

Dinner at Muntri Mews

Impression 15 : Dinner at Muntri Cafe, on Muntri Street was rewarding after a day of sketching in Penang’s heat and humidity. We ditched the relaxing alfresco seating outlined by exhuberant green boughs for air-conditioning. Wiser choice perhaps, till it became dark, temperature dropped and those tiny tea candles on the tables outside were lit up. It was romantic, but we weren’t there. Then came the food. It wasn’t just warm and comforting but also delivered on taste and presentation. We snapped right back into the zone.

“The courage- to-be, right here and now and nowhere else, is precisicely what Zen, at least, demands : Eat when you eat, sleep when you sleep!'” says Peter Mattheissen, in his book ‘Snow Leopard. Sketching lets you practice exactly that without even making an effort.

When you travel through a destination, sketching slows you down, so you don’t just eat, but taste, not just look but see, not just hear but listen. And do you know what comes out of this beautiful partnership ? You are zufrieden, truly.

 

Impression 16 : The owner of this coffee mill on sleepy Lebuh Katz hadn't opened shop yet. But that didn't stop him from keeping us company and conjure a 'thumps up' from time to time as the sketch progressed and muttering in Hokkien - 'beautiful, beautiful'.

Impression 16 : The owner of this coffee mill on sleepy Lebuh Katz hadn’t opened shop yet. But that didn’t stop him from keeping us company and conjure a ‘thumps up’ from time to time as the sketch progressed and muttering in Hokkien – ‘beautiful, beautiful’.

Bye Bye Penang!

Impression 17: Right before our flight, we had dinner at Kaffa, which is at Penang Airport. The nifty decor and the ambience does not match food quality (we had Salmon and pasta) or the portion size. The drinks were pale and watered down with plenty of ice. The trip advisor sticker on the door has to really work its charm!

This sketch of my face on the identity card, was the first one on this event

Impression 18 : I am terrible at drawing myself! Anyway, this was the first sketch done at the event.

The Happily Ever After

I have come back with 20 sketches from a 3 day trip to the UNESCO world heritage site of George Town in Penang, Malaysia. And since I slowed down on these 20 ocassions ( and almost all of these were off the tourist map) , I have 20 deep and distinct impressions of the city (see below each sketch) relating to it’s architecture, history, food, people, culture, ambience, temperament that someway or the other has characterized and demystified the place for me. I had first hand experiences which are real and personal.

And I am sure, the 170 odd skechers from the entire South East Asia plus UK and New Zealend, who assembled here to participate in the USk SGT II (Urban Sketchers Sketching Georgetown II) event, experienced the same.

 

 

 

 

 

 

 

 

 

 

 

 

 

Skewer-y Thaipusam

“I am Karna”, said a voice on my right. Since I didn’t look up from my sketchbook, he said, “You know Karna, the warrior prince from Mahabharata? ”. When I am sketching in crowded public spaces, I am used to people peering over me, breathing over my neck, appraising my work like art connoisseurs, pointing cameras to my face, nudging friends to take a look, but rarely does one talk to me while I am working, except slipping in a few words of encouragement when they leave, to which I nod or smile in bashful acknowledgement.

 
But not Karna, the warrior prince from Mahabharata. He wanted to butt right in.
 
Thaipusam celebrations in Singapore

Thaipusam celebrations in Singapore

 
His gigantic frame in an untucked white pinstripe shirt and loose trousers leaned against the yellow barricade and faced me. A mop of dark curls, slick and shining with oil was pushed back; round dancing eyes like two pingpong balls smiled under the shade of bushy eyebrows and an inch wide moustache revealed the largest, whitest pearls I had seen in a long time.  ’The skill you have there’, he said pointing to my sketches and folding his hands and looking heavenwards, ‘is God’s gift’. He scrunched up his eyebrows such that the long tilak on his forehead disappeared between the folds. First time in my four year stay in Singapore, when I finally mustered the courage to watch Thaipusam – a Hindu festival celebrated by Tamils by honouring Lord Murugan –  up close, I was victim of small talk.
 
Thaipusam in progress

The kavadi bearing men are bare chested, bare footed and wear yellow, orange or red loincloths

 
But, when you’re on foreign soil and want to make sense of the place, it isn’t a bad idea to indulge local voices to tell you their stories, from their perspective, laced with their sentiments. I didn’t want to kill the story yet, if there was one. So waving at the pilgrims, I asked Karna, a question that was on the top of my mind, “Aren’t they in pain?”.  There was no blood, it was hard to tell.
 
 
“When you fast and pray for 48 days, your body is prepared to endure such pain”, said Karna,  slightly irked at the mushy overtones. But for the uninitiated, Thaipusam is extreme. Thaipusam isn’t for the faint hearted. Even the befuddled spectator needs to keep her nerves. The sight of these men, regular men – perhaps one of them is your office colleague, your school teacher, a neighbourhood grocer – turn into a pincushion overnight, with scores of metal skewers fastened to their chest and back, one going right through the cheek or tongue, a gigantic, elaborately decorated canopy balanced on the head will elicit the question I just asked.
 
 
But bearing a kavadi or physical burden by undertaking such painful ventures is how one expresses gratitude to Lord Murugan, the god of war and victory. “In return the god, protects you from misfortune.” says Karna.  As each devotee passed by, I searched his eyes for signs of exhaustion, discomfort, resignation. All I got was a misplaced sense of calm.
 
Devotees approaching Tank Road

Devotees approaching Tank Road and the supporters are cheering them on, singing religious songs and clapping

I had joined the procession midway on foot from Dhoby Ghaut station, and reached Tank Road, where they were slowing their march and queuing up to enter the Sri Thendayuthapani Temple, which would terminate their 4.5 km trek from Sri Srinivasa Perumal Temple in Little India. Canary yellow barricades had been laid on roads directing the devotees and separating them from the curious spectators, omnipresent photographers and culture-shocked tourists. Volunteers were directing people at road crossings with urgency and handing out water in plastic cups and food from capacious tents pitched along the road, to exhausted participants and their families who were walking with them, cheering them on, singing religious hymns to drum beats. The police were calm and observant from their posts.
 
Close-up of a Thaipusam participant

Some kavadis are flower and peacock feather embellished wooden structures with arched metal frames that are supported by skewers hooked to the chest and back of the bearers.

 
‘It wasn’t like this before, you know’, said Karna, when a group of devotees slowed before us, offering a close up. A bunch of supporters, perhaps friends and relatives circled a thickly skewered and canopied man and broke into a perky devotional song, clapping their hands animatedly. The man started swinging and swaying to the chants along with his kavadi. The ankle bells tied to his feet tinkled. The energy was palpable. I don’t understand a word of Tamil but my feet didn’t need to. They were tapping on their own.
 
“Even a few years ago, there was much greater fanfare and spirit; now there are too many restrictions on what you can and cannot do”, said Karna, reminiscing. “ The music used to be so loud, it would ring in your ears long after you left.”
 
Thaipusam in progress

A kavadi bearer, swinging to the beat of drums

I was frantically sketching, trying to capture the guy with at least three dozen lemons hooked to his back, quickly outlining the exhausted drummers catching a breather and getting the many kavadi bearers balancing a gigantic mass of flowers, peacock feathers, folded metals and sharp skewers down on paper. The jubilant yet awestruck crowd guarding the fanfare made the scene complete. There was almost a kilometre long wait to enter the temple and at having their subjects come to a halt, the photographers went delirious.
 
Kavadi bearing devotee swinging to the drum beats

A not-so-extreme kavadi of milk pots balanced on a wooden rod. He still has his tongue pierced.

Few steps away from the temple door, decorated with banana leaves, a pilgrim was approaching with his kavadi on two wheels. It looked like a wooden toy chariot. The steel skewers hooked to his back flexed under the load and stretched his skin, while he negotiated a bump on the uneven stretch. Standing on the sides, we clenched our fists and held our breath. The remaining few steps would end his arduous yet spiritual journey. He tilted his head, arched his back and pumped his chest. Then he pulled hard. The sidekicks cheered him as loudly as they could, their heave-hos bold and distinct, but the kavadi slumped back. Others glided past him with no trouble. Some people have a bumpy ride till the end. Or perhaps he’d asked for a much bigger favour.
 
The pilgrims entering Sri Thendayuthapani Temple to offer their kavadis to Lord Murugan

The pilgrims entering Sri Thendayuthapani Temple to offer their kavadis to Lord Murugan and end their arduous trek

 
Pilgrims exiting the temple, freshly relieved from their kavadis, seemed visibly transformed – smiling and spirited – with only red holes on their body – that they were now proudly flaunting as a proof of their penance.
 
Karna didn’t accompany me till the end. In fact, midway through our conversation, he abruptly shook hands, wished me luck and left me alone to experience the festival and make my own stories. When I reached home, the songs, the chanting, the drum beats and fervent clapping were still ringing in my ears. I think Karna would’ve approved.