Monthly Archives: April 2015

Destination or the journey?

Even though I sketch and paint quite often, it’s hard to see progress in every piece I produce. If progress was climbing a flight of stairs, I probably have my grandma’s arthritic knees. It does feel at times that I’m floundering about at the same place creatively. The hard part is to keep going and not relinquish to these soul sucking thoughts. The reward however is that they flee out the window the moment I make something I really like! The belief is reinstated.

But only temporarily. It leaves you too like receding daylight. Before you know, you’re pulling yourself up those metaphorical stairs again.

This below is not an ‘aha!’ painting, but I know I’m going to keep pounding, hammering, moulding, shaping whatever it is I’m creating on paper till I get there. It may take 10 paintings, maybe 20, maybe more to make something that gets the little hairs on my arms to stand up even once.

Seah Street

Seah Street in Singapore

But with both eyes on the destination, what becomes of my journey? An insipid, uninspiring wait for something to happen? The reason one is compelled to make art day after day is because creating something out of nothing is thrilling, inspiring, extremely fulfilling and a lot of fun. It is our impression of what we see and our expression of what we feel. Shouldn’t that be enough? Why guild the lily with expectations of ‘making progress each day’ or ‘reaching transcendence once in a while’ with your art? If anything, these should be byproduct of the journey.

This is what I’m telling myself today.

 

What’s been cookin’ ?

Actually a lot. The innocent Antipodean summer spell I was under at the beginning of the year got quickly replaced with Hong Kong’s mendacious haze and leaking skies in March. I was there for a week and had plenty of time to wander, sketch, chat with strangers, and watch Sex and the City on a loop late into the night because Carrie Bradshaw’s social life outshone every drivel on the hotel’s cable TV. But more about Hong Kong in a different post.

Let me fast forward to Singapore, where I along with other local artists were tasked with the submission of sketches to two different books that are both going to be published before this country turns 50 in August this year. Hurray! Urban Sketchers Singapore: Volume 2, will carry our memories of places in Singapore that are special to us and the other book Let’s Draw Singapore! is about the neighbourhoods we live in and the sketches of our favourite spots in them.

Surely I didn’t go scouting for subjects to sketch on Purvis Street again? Yes I did! I am that predictable. Killiney Kopitiam along with another sketch made the cut for the first book. I have scores of good memories at this kopitiam and also wrote an anecdote to go along with the sketch, which I think is with the editor. However, here’s the sketch :

Killiney Kopitiam on Purvis Street

‘Killiney Kopitiam on Purvis Street’ is going to be published in Urban Sketchers Singapore: Volume 2

For the neighbourhoods book, I didn’t have to think much. Belly rumbles shot the idea straight to the brain one day. Indian Palace, a hole in the wall eatery in Newton Food Centre is on my speed dial. They are at a 10 mins (Okay, 6 minutes when I’m really hungry) walk from my home and I’ve pigged out on their aloo paratha and chicken tikka countless times. While sketching their stall, the gentle owner, his wife and daughter in matching orange T-shirts with the name of their shop printed at the back, came up to check what I was up to.

The curtain of business formality vanished as soon as they met a fellow Bengali from Kolkata. What are the chances! Within minutes, I was listening to their life story of struggle, survival and success in Singapore, while sipping lime juice and vigorously scratching lines on my sketchbook.

A favourite Indian joint near my house. I'm addicted to their better slathered aloo parathas baked in a traditional tandoor. This goes into the Let's Draw, Singapore! book.

A favourite Indian joint near my house. I’m addicted to their butter slathered aloo parathas baked in a traditional tandoor. This goes into the Let’s Draw, Singapore! book.

Indian Palace’s portly matron took it upon herself to dispense neighbourly advice to me, that ranged from shifting to a low rental apartment to becoming a Permanent Resident. “Otherwise what’s the point in moving to a foreign country?” she said. Apparently I wasn’t scrimping and saving enough to justify my life out of India.

In exchange for her tips, she implored me to find a husband for her daughter. “I don’t care if he’s poor or less educated, I want a guy who’d be willing to immigrate from India and settle here with my daughter”, she demanded as if I could furnish him from my rucksack as soon as she filled out the withdrawal slip. “We’d be giving him a better life! Think of that.” Apparently her elder daughter is happily married to ‘such’ a guy. Discomfited by the sudden matchmaking role thrust upon me, I squirmed and stuttered, while she dunked her biscuit in the tea. “Doesn’t your husband have unmarried friends back home?”

As I was about to leave, I asked her why insist on importing when you could go local. Didn’t she care about carbon footprint at all? “You know…the ones here”. I didn’t know, really. “Some of them gamble and drink and..(long pause)..have girlfriends”, she’d lowered her voice to a whisper. It was an eventful afternoon.